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Pete Volich – visual arts coordinator »Peter Volich graduated with BA Honours in Visual Arts in 2000 from Australian National University and is currently undertaking a Masters in Visual Arts at University of Sydney. He continues to exhibit extensively both nationally and internationally across a broad range of media. In 2000 he was awarded the Queens Trust Award for emerging artists for Hotel California 2000 at Canberra Contemporary Art Space, since then he has been selected for numerous awards including Citibank Photographic Portraiture Prize at the Art Gallery New South Wales and short listed for the RIPE ANZ Art & Australia award. Are we there yet, was screened in the Australian Dance Awards at Sydney Opera House in 2006. In 2007 Pete was awarded a Skills and Arts Development grant to undertake a mentorship with internationally acclaimed film and video artist Isaac Julien in London. During 2009 Volich will be participating in Illume: Projections after Dark, a project involving several artists creating commissioned works for the exterior facade of the Campbelltown Arts Centre. In 2008 he has exhibited in multiple group shows including Parade: Manufacturing Selves in Photography, as part of the Vivid Photography Festival, Looking Out, Macquarie University Gallery, Sydney, and Roving Eye, Rebecca Hossack Gallery, London UK. He has been prolific in his engagement with Australian Artist Run Initiatives, presenting work both as solo and group exhibitions in spaces such as Firstdraft Gallery, MOP, Loose project space, and Westspace, as well as inclusions in the publication Runway. Pete has worked with various arts organisations such as Next Wave Festival, Performance Space, Australia Council for the Arts, Museum of Contemporary Art, Sydney, and Royal College of the Arts, London. He is currently the Visual Arts Coordinator at Fraser Studio Projects, managed by Queen Street Studio. CLICK HERE » Board of Management biographies CLICK HERE » About founders, Sam Chester & James Winter Contact Peter Volich » peter@queenstreetstudio.com
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In a time when unabashed masked faces were accustomed to moving in history, a momentous day was allocated, to drive home toward a well-ordered sandpit, 2007 From Tales from the rear-view mirror...Here we go again
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